Ruskin Hours
Place: Northeastern France
Date: about 1300
Medium: Tempera colors, gold leaf, and ink on parchment bound between wood boards covered with dark red leather (on inside covers, red morocco with ornament stamped in bold, from earlier 18th century binding)
Dimensions: Leaf: 26.4 × 18.3 cm (10 3/8 × 7 3/16 in.)
'Made in northeastern France about 1300, this manuscript is a relatively early example of a book of hours. Later in the 1300s, books of hours superseded psalters as the principal texts for personal devotion. The profusely decorated manuscript includes almost one hundred historiated initials, miniatures that illustrate the calendar, and a rare feature, an illustrated litany. Further illuminations called marginalia appear on many of the pages. Sometimes these scenes relate directly to a historiated initial on the same page; more often, the secular vignettes of humorous animals and figures are meant to provide a playful counterpart to the religious narratives. The illuminations, painted by an anonymous artist, exhibit vivacity and an attention to detail characteristic of the high Gothic style. In the 1800s the celebrated art critic and medieval enthusiast John Ruskin owned this book of hours, which has since taken his name. Ruskin was so fond of the book that he included designs from it in his own book, Modern Painters, helping to popularize medieval culture.'
The Getty Museum Collection
Initial D: The Mocking of Christ; Initial D: The Flagellation; Initial D: The Way to Calvary
Initial D: The Mocking of Christ; Initial D: The Flagellation; Initial D: The Way to Calvary; Unknown; Northeastern France, France; about 1300; Tempera colors, gold leaf, and ink on parchment; Leaf: 26.4 x 18.3 cm (10 3/8 x 7 3/16 in.); Ms. Ludwig IX 3, fol. 1
Initial D: The Betrayal of Christ; Initial D: Christ in the Clouds and Nuns in Prayer
Initial D: The Betrayal of Christ; Initial D: Christ in the Clouds and Nuns in Prayer; Unknown; Northeastern France, France; about 1300; Tempera colors, gold leaf, and ink on parchment; Leaf: 26.4 x 18.3 cm (10 3/8 x 7 3/16 in.); Ms. Ludwig IX 3, fol. 15
Initial S: A Bishop before a Fire; Initial O: A Nimbed Monk and a Female Saint
Initial S: A Bishop before a Fire; Initial O: A Nimbed Monk and a Female Saint; Unknown; Northeastern France, France; about 1300; Tempera colors, gold leaf, and ink on parchment; Leaf: 26.4 x 18.3 cm (10 3/8 x 7 3/16 in.); Ms. Ludwig IX 3, fol. 19v
Initial A: The Mocking of Christ; Initial L: Two Men Holding Scrolls
Initial A: The Mocking of Christ; Initial L: Two Men Holding Scrolls; Unknown; Northeastern France, France; about 1300; Tempera colors, gold leaf, and ink on parchment; Leaf: 26.4 x 18.3 cm (10 3/8 x 7 3/16 in.); Ms. Ludwig IX 3, fol. 23
Initial D: Christ before Caiaphas; Initial D: The Virgin Mary with Apostles
Initial D: Christ before Caiaphas; Initial D: The Virgin Mary with Apostles; Unknown; Northeastern France, France; about 1300; Tempera colors, gold leaf, and ink on parchment; Leaf: 26.4 x 18.3 cm (10 3/8 x 7 3/16 in.); Ms. Ludwig IX 3, fol. 29
Initial N: Saint Paul with a Sword; Initial V: Saint Peter with a Key
Initial N: Saint Paul with a Sword; Initial V: Saint Peter with a Key; Unknown; Northeastern France, France; about 1300; Tempera colors, gold leaf, and ink on parchment; Leaf: 26.4 x 18.3 cm (10 3/8 x 7 3/16 in.); Ms. Ludwig IX 3, fol. 33v
Initial D: The Annunciation; Initial D: A Young Man Praying to Christ in the Clouds
Initial D: The Annunciation; Initial D: A Young Man Praying to Christ in the Clouds; Unknown; Northeastern France, France; about 1300; Tempera colors, gold leaf, and ink on parchment; Leaf: 26.4 x 18.3 cm (10 3/8 x 7 3/16 in.); Ms. Ludwig IX 3, fol. 37v
Initial S: The Virgin Mary Interceding for a Young Man before Christ Showing his Wounds
Initial S: The Virgin Mary Interceding for a Young Man before Christ Showing his Wounds; Unknown; Northeastern France, France; about 1300; Tempera colors, gold leaf, and ink on parchment; Leaf: 26.4 x 18.3 cm (10 3/8 x 7 3/16 in.); Ms. Ludwig IX 3, fol. 45v