Poncher Hours
'Artist/Maker: Master of the Chronique scandaleuse (French, active about 1493 - 1510) Jean Pichore (French, died 1521, active about 1490 - 1521)
Master of Cardinal Bourbon (French, about 1480 - 1500)
Master of Jacques de Besançon (French, active about 1480 - 1500)
Culture: French
Place: Paris, France (Place created)
Date: about 1500
Medium: Tempera colors, gold, and ink on parchment; 19th century gold-tooled red leather binding with traces of clasps
Dimensions: Closed: 13.8 × 9.8 × 5 cm (5 7/16 × 3 7/8 × 1 15/16 in.)
By the late Middle Ages, personal prayer books or "books of hours" were extremely common, especially among the upper classes in Paris, a city renowned for its production of hand-illuminated books. The Poncher Hours is an unusual example of the degree to which books of hours could be highly personalized for the patron it was commissioned for--in this case, Denise Poncher, a young woman from an elite family whose father served as treasurer of wars for the French crown and whose uncle was bishop of Paris. What personalizes this book, which may have been given on the occasion of her wedding, are the many allusions to marriage and motherhood in the selection of specific texts and images, as well as an illustration that includes the bride herself and also a coat of arms combining the Poncher arms with those of her husband, Jean Brosset.
The manuscript includes a rare chapter for personal prayer books--the Hours of the Conception--mixed in with the more common Hours of the Virgin, Hours of the Cross, and Hours of the Holy Spirit. The cycle of illuminations begins with a glorious, delicate full-age miniature of the Virgin in a mandorla flanked by saints Barbara and Catherine. Other illuminations in the manuscript refer to the roles of wife and mother, including Mary Spinning Wool, Anne Teaching the Virgin to Read, and The Virgo Lactans. The selection of prayers considered instructive for a young woman is similarly highly thematic, with topics that range from the theological and cardinal virtues to what to say when greeting the king. The manuscript's texts are written in French and Latin, with some Latin passages punctuated by the personal pronoun "tu" (the familiar "you" in French).' Getty Museum Collection
Read MoreMaster of Cardinal Bourbon (French, about 1480 - 1500)
Master of Jacques de Besançon (French, active about 1480 - 1500)
Culture: French
Place: Paris, France (Place created)
Date: about 1500
Medium: Tempera colors, gold, and ink on parchment; 19th century gold-tooled red leather binding with traces of clasps
Dimensions: Closed: 13.8 × 9.8 × 5 cm (5 7/16 × 3 7/8 × 1 15/16 in.)
By the late Middle Ages, personal prayer books or "books of hours" were extremely common, especially among the upper classes in Paris, a city renowned for its production of hand-illuminated books. The Poncher Hours is an unusual example of the degree to which books of hours could be highly personalized for the patron it was commissioned for--in this case, Denise Poncher, a young woman from an elite family whose father served as treasurer of wars for the French crown and whose uncle was bishop of Paris. What personalizes this book, which may have been given on the occasion of her wedding, are the many allusions to marriage and motherhood in the selection of specific texts and images, as well as an illustration that includes the bride herself and also a coat of arms combining the Poncher arms with those of her husband, Jean Brosset.
The manuscript includes a rare chapter for personal prayer books--the Hours of the Conception--mixed in with the more common Hours of the Virgin, Hours of the Cross, and Hours of the Holy Spirit. The cycle of illuminations begins with a glorious, delicate full-age miniature of the Virgin in a mandorla flanked by saints Barbara and Catherine. Other illuminations in the manuscript refer to the roles of wife and mother, including Mary Spinning Wool, Anne Teaching the Virgin to Read, and The Virgo Lactans. The selection of prayers considered instructive for a young woman is similarly highly thematic, with topics that range from the theological and cardinal virtues to what to say when greeting the king. The manuscript's texts are written in French and Latin, with some Latin passages punctuated by the personal pronoun "tu" (the familiar "you" in French).' Getty Museum Collection
Virgin in Cloud of Angels, with Saints Barbara and Catherine
Virgin in Cloud of Angels, with Saints Barbara and Catherine; Master of the Chronique scandaleuse (French, active about 1493 - 1510); Paris, France; about 1500; Tempera colors, ink and gold on parchment; Leaf: 13.3 x 8.7 cm (5 1/4 x 3 7/16 in.); Ms. 109, fol. 64